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    • Meeting with Remarkable People | A Platform of Interactive Documentary Films

      Heroes who discover the way one can handle the predicaments of the recent crisis in Greece, through a different and -actually- political intervention, become the “guides” in an interactive platform, where the viewer can experience their stories, expanded in space and time, through an interactive player. 12 feature films, where the protagonists are invisible, doomed, and “condemned” characters with no perspective and hope (i.e. young jobless scientists, homeless, juvenile prisoners, persecuted refugees, Greek immigrants in Germany, wounded strays), augmented by 180 short films, give the viewer the possibility to watch the stories of the heroes the way they want. Filming seven years of the lives of these heroes, who belong to socially weak and vulnerable groups of people, at the end of each film, there is light at the other side of the tunnel, solutions are being detected for the predicaments of the crisis, and a happy end is on the way, achieved by themselves, with no intervention from the screenwriter, in a country where the crisis lingers on. This way, a new interactive form of documentary film is created, for the first time in Greece, with the support of the Onassis Foundation, National Greek Television, and Ministry of Culture. Therefore, the original 12 films and their stories expand creatively in space and time, illustrating the sequel of each story, and the fascinating course of their heroes from around the globe.

  • SYNOPSIS
    • Milad – My Planet…
      Jelani married a woman from a different tribe. To avoid getting killed, they fled their country. On foot – and any other way possible – they finally arrived at a river, months later. Some die crossing it; others manage to swim across and enter Europe. But, once they set foot in Greece, the first adjacent European country, they found themselves homeless and socially excluded, without being able to move on or go back. The only solution is to travel illegally to Germany, that’s what the smugglers say. They don’t have enough money for the whole family to pass. Jelani faces this dilemma and has to choose. If one of the children leaves unaccompanied and arrives in Germany sound and safe, it will be able to bring the whole family there. Jelani’s children will have to learn violently what it’s like to discover their own planet or how they can create one from scratch – and whether Germany is the solution or just a new nightmare.

      The Return
      Can theater as an education and rehabilitation medium help underage inmates, who stage their own lives, to overcome the limitations and obstacles of prison? Can theater become an educational and rehabilitation medium for underage inmates who have no chance of escaping disobedience? In a teenage prison, the inmates stage their own lives and become protagonists of a film that attempts to overcome the limitations and obstacles of a “correctional” institution.

      My Cotton Family
      Will these pregnant women or with underage children, alone, find a shelter and be reunited with their families that are scattered around the world? Mothers with their underage children or pregnant women, alone, persecuted in their countries for political and social reasons, find shelter in a house in Syngrou Avenue, Athens, where a group of specialists help them integrate in society and find the members of their families that are scattered in other countries. These women, who had no other choice than exile, find in that shelter the support they need in order to lawfully redefine their future in a strange continent.

      Beyond Limits
      A school in a juvenile prison? Can underage inmates – convicted for life to recidivism – find the means there to make a new start in their lives? A prison turns into a bright pause from hard life, when a group of teachers decides to found a school in juvenile prison of Avlona; as a result, knowledge and culture invade the young inmates’ lives, who would not have access to them in any other way. The years of detention become a useful flash of light in the lives of people who grow old deprived of basic social rights and convicted to recidivism. In prison’s school, they find the means to make a new start. Will they make it?

      Theatre and Reality
      Can documentary and reality become a theatrical play where the “protagonists” redefine institutions and their own lives on stage? Document and reality become a theatrical performance and real life heroes become the “protagonists” of their own lives on stage, demanding a better prospect. The protagonists of the documentary theater play are the people of Lygourio village who, through their narration on stage, depict the history of Epidaurus Festival, along with some doubts about this institution, and the Greek Railways employees who discover the importance of the railways both in their lives and the history of modern Greek life.

      Greek Animal Rescue
      Why are wounded stray dogs from Greece so popular for adoption abroad? Is there a hope for the ill-fated dogs, and an ill-fated area near Athens? A gravely ill, abused three-legged stray dog, abandoned in the industrial desert of Aspropyrgos, a town near Athens; a London-based charity whose mission is to help the neglected animals of Greece; a group of young volunteers who patrol Aspropyrgos and attend to the strays – these are the characters of the film found in a nightmarish place, a hellhole for many abandoned animals. Does the sick three-legged hound stand any chance of getting adopted, becoming healthy again and running across the fields of Essex? Why are the Greekies – the strays from Greece – so popular when it comes to being adopted abroad? With an unexpected ending, the film tries to discover whether there is any hope for the doomed dogs and for a doomed area outside Athens. A cinematic allegory of the Greek circumstances during the crisis based on true stories taking place in “invisible” districts near Athens that tourists and Athenians often ignore. The stories of stray animals depict – with a cinematic precision – everything that happens in Greece in times of crisis and motivate a London based charity, that discovered this by chance, to start a European campaign aiming at awakening all those who live “protected” and trapped in big cities.

      Should I Stay Or Should I Go?
      Six Greeks put their real stories on stage and wonder whether they should stay in Greece during the crisis or go. So, will they stay or will they go? Six Greeks perform their true stories on stage wondering whether they should stay in the Greece of the crisis or leave. A German tries to understand whose fault this is and all together they attempt a new kind of theatre that turns documentary into a theatrical play. The camera follows the true lives of the heroes both in Berlin and Athens and along with the audience gets involved in the real stories of the protagonists that play themselves on stage. So, should they stay or should they go?

      The Second Chance
      Is there ever a second chance in real life? A young inmate from Lithuania learns Greek in the prison’s school and aspires to study at the Technical University. Will he make it? “…You go out in the yard. On a bench, you find some prisoners talking about how they will break the law without getting caught. On other benches, prisoners talk about drugs and Kalashnikovs. And suddenly, you see a big Lithuanian guy with some other inmates of the same proportions playing chess…” These are the words of a music teacher that is currently incarcerated in the Special Youth Detention Center in Avlona, Greece. Is there ever a second chance in real life? A young man from Lithuania finds himself imprisoned in a youth detention center in a foreign country where he doesn’t even speak the language. He can either stay in his cell and give up everything or find a way to redefine his life. He may even try to learn Greek in the prison’s school, discover his hidden talents and study at the Technical University one day. Will he succeed? For three years, he strives to fulfill these seemingly unattainable goals as the camera records his anguish to start his life from scratch.

      Matternet
      Can drones support – for peaceful purposes – Third World cities that find themselves secluded because of weather conditions and poverty? A new network of transportation and communication, or a science-fiction scenario? Andreas Raptopoulos, an engineer from Greece, travels around the world and invents new applications that try to find a solution to social problems. In Singularity University, in NASA’s premises, organized by another scientist of the Greek diaspora, Peter Diamandis succeeds in making a utopian dream come true: Raptopoulos is the first one to build drones for peaceful purposes as a means to help Third World populations and cities that find themselves secluded because of weather conditions and poverty. A course that starts in a Technical School in Greece, and passes from London before going to San Francisco, Silicon Valley, Amazon.com, and finally the steep mountains of Mongolia, creating a new network for transportation and communication, which is no longer science fiction.

      Start Up Means… I Begin
      Unemployed Greeks find ways to carry out venturesome dreams and impossible ideas by giving birth to dynamic and ambitious startups in Silicon Valley. Unemployed Greeks, trying to promote their business abroad, arrive at Silicon Valley. The successful Greeks of California support and guide them by financing their bold dreams and impossible ideas, giving birth to new startups. Some of these startups become sought-after and are sold to big companies, like Tech behemoth Google, while their creators present them on camera, describing the whole process, the know-how, exonerating failure, giving a significant meaning to innovation.

      My Raft
      The jobless “new poor” in times of crisis through the first Greek street-magazine find again their hopes so they can get a home, a job, study and a position in the society that has excluded them. They found themselves homeless in a city that doesn’t know how to help them. The jobless “new poor” of our country have no hope. John Bird, an ex-homeless man and the homeless street paper he created in London, is the starting point, and, through his advice, the film follows Christos Alefantis and his team, as they lay the basis for their “Raft”, the Greek street paper “Shedia”. The camera documents the printing of the first issue, along with the worries whether this endeavor will succeed, so that excluded people are able to find a home, get a permanent job, study and reclaim their position in the society that has chased them away.

      Kick Out Poverty
      The National Homeless football team competes with other homeless teams from around the globe and proves that football can become an important “weapon” against social seclusion. A football team represents Greece in a world cup and wins the Fair Play Award. The Greek Homeless Football Team competes with other homeless teams (like the Indonesia team whose players are HIV positive) in Poland. The film follows the homeless players in their first journey abroad, while they score and receive goals, and prove that football, sοcialization and tolerance can become important “weapons” for one to deal with the hardships of a life that seems lost and tries to find ways to deal with social exclusion.

  • TRAILER
    • ✕
  • INTERACTIVE VIDEOS
    • ︲Milad – My Planet…
    • ︲The Return
    • ︲My Cotton Family
    • ︲Beyond Limits
    • ︲Theatre and Reality
    • ︲Greek Animal Rescue
    • ︲Should I Stay Or Should I Go?
    • ︲The Second Chance
    • ︲Matternet
    • ︲Start Up Means... I Begin
    • ︲My Raft
    • ︲Kick Out Poverty
  • HOME
  • ONGOING PROJECTS
    • ︲ the AfroGreeks
    • ︲ Greekies
    • ︲ RE-REC Borders
    • ︲ ROMnet
  • MORE WORKS
    • ︲ Dance Your Way Around Us
    • ︲ [a]known destinations chapter III
    • ︲ Racism is a Fail
    • ︲ Radio Movies
    • ︲ All Souls Day – Part II
    • ︲ Reminiscences of an Unprocessed Leather Technician
  • TIMELINE
    • 31/03-20/05/23 A bird in search of a cage, Installation, Rodeo, London

      18-27/03/23 Dance your Way Around Us, Video installations, Rodeo, Piraeus

      27-30/03/23 Serpentine Cinema presents: A four-day festival celebrating four decades of film by filmmaker Menelaos Karamaghiolis, Serpentine Gallery, London

      2020-2023 "ROM_net", a platform with on-site and digital screenings & actions in Greece and abroad (in progress)

      2020 - 2023 Re-Rec Borders - digital map and field actions (in progress)

      2020 - 2023 Consultative Support Action "Task Force" of the project "the AfroGreeks" (in progress)

      2019-2023 #no_border_films Online Visual Interactive Action (in progress)

      2019-2023 Meta-DOC Lab - Documentary Lab, Laboratory - Archive, and Live Events (in progress)

      2015-2023 the AfroGreeks video installation - live events (in progress)

      2014-2023 Radio films (podcasts) “WHERE DOES MUSIC GO WHEN WE CANNOT HEAR IT ANYMORE?” and “VOICEMAIL’’ (in progress)

      12/09/22 Live event of the collective community project "the AfroGreeks" and open discussion at the solo exhibition of the African-American artist Arthur Jafa at "Piraeus Artport II", at the Stone Warehouse of Piraeus

      6/7/22 Public Action for the Day of Pride and against homophobia in Elefsina with the participation of representatives of the Gay Pride of Athens and the Ministry of Culture and Education, with screenings and public open discussion

      23/6/22 Presentation of the collective project (in progress) "the AfroGreeks" at the Ludwig Maximilian University in Munich

      22/6/22 Screening of the film ROM and ROM-net video at Ludwig Maximilian University in Munich and open discussion with students on Diversity in Research

      16/06/22 Conference and workshop CULTURE AND INNOVATION In cooperation with "Elefsina 2023 - European Capital of Culture", Tech Tour 2022, and the Athens University of Economics and Business

      11/6/22 Public action-dialogue of the project "the AfroGreeks" at the Embassy of Nigeria in Athens. (live event)

      31/5/22 Black History Month, radio and online public action of the project "the AfroGreeks"

      18/5/22 Live event of the collective community project "the AfroGreeks", RESTORING CLOSENESS the AfroGreeks live - MY LIFE...

      17/05/22 Football action for World Anti-Homophobia Day in Kypseli, Athens

      4/04/22 Screening of the restored ROM film for the first time without censorship at the Film Archive of Greece and discussion with the viewers

      4/04/22 Screening of the film ROM in Kalamata, at the Peloponnese Documentary Festival

      2/04/22 Participation in art exhibition SECCMA Trade. Curation: Kostas Stasinopoulos

      01/04/22 Screening of the digitized film ROM and films of the Rom-net platform in Stockholm and online screening in collaboration with the Swedish Institute of Greece

      28/03/22 Screening of the digitized ROM film and films of the Rom-net platform at Utopia in Luxembourg

      19/03/22 Curating and organizing the art exhibition "Basic needs" at the supermarket OK and public discussion with the artist, artists, curators, and viewers at the Kypseli Agora

      18/3/22 Music event and presentation of the project "the AfroGreeks" at the 15-year anniversary of the Museum of Cycladic Art

      14/3/22 Screening of the film ROM at the 24th Thessaloniki Documentary Festival

      16/01/22 Artistic Action and discussion with artist Cooper Jacobi in collaboration with The Intermission gallery, Piraeus

      11/12/21 Artistic - Sports Action - Human Rights Day, Greek Forum of Refugees

      12/21 Music event (Research Action - Public Dialogues) RESTORING CLOSENESS - "the AfroGreeks" live in Crete

      25-28/11/21 Action with screenings of the film ROM, presentation by Jonathan Larcher (EHESS), discussion with the public and experts, and music event at the Rivesaltes Centre in France, curated by Nicole Brenez (Cinematheque Française)

      22-26/11/21 Screenings of the film ROM and public discussions with viewers and experts in different cities in Switzerland, organized by Spoutnik Cinema, Geneva

      1/11/21 Visual Action - Participation in the program - Performance Attachments and Awakenings, Art Athina Virtual 2021

      1-30/10/21 Music Action - the AfroGreeks at the 1st Multicultural Music Festival of the Greek Community of Multicultural Artists (GCMA)

      17/10/21 The Afro-Greeks are guided through the modern history of Greece: Guided tour of the exhibition "1821 Before and After" at the Benaki Museum

      17/09/21 Tënk Festival (France) for 60 days online via their platform theme programming "Peuples et luttes en Grèce / Pobloù ha stourmou e Gres"

      16/09/21 the AfroGreeks meet "OMMA" Public action with discussion and music event in the framework of "Elefsina 2023 European Capital of Culture" and "Aeschylia 2021" Festival

      23 & 27/8/21 Screening of ROM film, Douarnenez Festival (France) theme programming "Peuples et luttes en Grèce / Pobloù ha stourmou e Gres"

      1/5/21 Music Action in a public space - the Afro Greeks and Greek traditional music, Panormos Folk Market, Adalou

      25/04/21 Action in a public space of Kypseli, Grace Nwoke - Pedagogical Group "The Skassiarchio": Afrofitness class with children in primary school

      03/04/21 Negros tou Moria, Dauda Conteh – I am SourtouKis (spoken word), action in public and online space

      21/03/21 Restoring Closeness, the AfroGreeks live, Live Events at various locations around the city

      10/12/20 "I Am Not Your Negro & the AfroGreeks", live event, screenings in a movie theater and online along with audience discussions (World Human Rights Day)

      5-24/10/20 Screening of ROM film, OaxacaCine, Mexico

      24-25/09/20 Artistic Action & Participation in the workshop "Archives, Process: images of the African and Black Diaspora" by Anietie Ekanem

      14-15/07/20 Two-day painting workshop for young Afro-Greeks at the exhibition space "16 Fokionos Negri"

      14/06/20 Action – Sit in Protest - Concert in the Amerikis Square "Black Lives Matter"

      05/06/20 Artistic Dance Action at the solidarity protest at Syntagma Square, for the BLM movement "Black Lives Matter"

      21/05/20 5th Floor: Tribute ( mini-retrospective) from the Centre d'Art Contemporain Genève, Switzerland

      24/09/19 Artistic Action and discussion with artist John Knight, “The Intermission” Gallery, Piraeus

      15/5/19 Video Installation - Public Dialogue the AfroGreeks, at the Kypseli Agora (Dialogues ISN)

      5/04-1/06 Exhibition ALL SOULS DAY - PART II, RODEO, Piraeus

      2019-2020 Visual Action - Video Installation [a]known destinations chapter III: reconnection - a second chance: exhibition. The AfroGreeks, 3-channel installation. Curation: Kostas Prapoglou

      2011-2020 Meeting with remarkable people Interactive platform with 180 films and augmented material

      2015 Video Installation, “Reminiscences of an Unprocessed Leather Technician”, 16’, part of Why Look at Animals. AGRIMIKÁ, Maria Papadimitriou’s Greek Pavilion, 56th Venice Biennale

  • PROFILE
    • The real power of document can be an important starting point for an art that would be contemporary and topical, with creative social interventions: outside the restrictive borders of galleries and museums, ensuring the active participation of the protagonists themselves in the final result, without them being approached just as subjects of depiction.

      Døcumatism is a  group of filmmakers, artists, curators, historians, social workers, researchers, and educators, who since 2009, starting from the moving image and documentary, have been organizing artistic actions and public dialogues on critical social issues, aiming at exploring invisible and inaccessible landscapes and launching possible solutions. Initiate dialogues to find possible solutions to crucial social issues, making the "invisible" visible.

      Through artistic actions and films starring anti-heroes and stories that break barriers and stereotypes, the Døcumatism team makes film art a functional tool for those living on the margins of society.

      The main aim of the group is the interaction and collaboration between artists and spectators in order to design ways by which an artistic action, which concerns a key social issue, can function as a "lever" and "weapon" throughout its preparation, production, and distribution in order to mobilize broader debates, making the recipient, a witness.

      The Team

      Døcumatism consists of filmmakers, visual artists, sociologists, prison school teachers, art curators, journalists, and researchers who collaborated for 10 years during the preparation of the film J.A.C.E - Just Another Confused Elephant and the first Greek interactive documentaries entitled "MEETING WITH REMARKABLE PEOPLE".

      The main motivation for the creation of the group was the great success of these films with praising reviews on television, in festivals, cinemas, schools, universities, conferences, clubs, and prisons, and the discussions that followed with the audience after the screenings. The screenings of these films - which continue in Greece and abroad - provoke strong public participation, resulting in direct, concise, and thorough information on sensitive social issues (such as homelessness, unemployment, volunteerism, reclaiming public space, stray animals, neglected areas of the capital, education in juvenile detention centres, the reintegration of released prisoners, immigration, refugees, etc.) resulting in immediate activation of the audience.

      The intense and immediate social impact of these films made the members of the group design ways in which a film or an artistic action with a key social issue can act as a "lever" and "weapon" throughout its preparation and distribution, with the ultimate goal of mobilizing wider actions and debates and launching possible solutions for the purpose of art-cinema-community interaction and exchange.

      The members of Døcumatism identify the themes on which the group's films and artistic actions will be based, creating broader collaborations with filmmakers, artists, musicians, social workers, scientists, and educators, starting from Athens, its visible and invisible problems, its new heroes (anti-heroes whose lives are success stories) and its hidden and unlimited dynamics.

      The teams of these actions are:
      1. the scientific/consultative/research team that selects and designs the themes.
      2. the art team which undertakes the production of the films and other artistic actions.
      3. the journalism team that prepares the ways in which the actions will have a scaled social interaction and penetration to targeted and wider populations and social groups.
      4. the educational team that uses the process of preparing Døcumatism actions to ensure the creative participation of young artists, filmmakers, students, and pupils.
      5. the productive & economical team that organizes the financing and realization of the films and actions.

      The teams work closely together throughout the preparation and production of the actions in order to prepare a fertile ground for their access to targeted audiences at the time of completion and distribution of the films and actions. This is achieved through parallel events, publicity in print and online press, a strong presence in social media, and collaboration with groups that are active on specific issues.
      Døcumatism has already started its next activities, an intervention in key social issues, through diverse and innovative cultural actions, using art, cinema, and new technologies, together with educational, artistic, and research programmes that initiate the development of a public dialogue between the audience, the creators, the protagonists, and the works themselves.

      Listed below are the partners with whom the Døcumatism team was officially established, who contribute with personal work combining their scientific, artistic, and technical knowledge.

      Menelaos Karamaghiolis, director and screenwriter. All his films aim at social awareness and are used as "weapons" by their protagonists: from ROM, documentary, 1989 (first depiction of the term gypsies in Greece in a documentary film), J.A.C.E.- Just Another Confused Elephant, co-produced fiction, 2012 (the life of an orphaned immigrant) to the interactive documentaries MEETING WITH REMARKABLE PEOPLE (2011-2020) with struggling and "doomed" heroes with no prospect.

      Orestis Plakias, marketing manager, and content curator specialized in information and advertising distribution in social media with impressive results such as the active mobilization of viewers at NYXTES PREMIERAS, the multimedia empowerment of EN LEFKO with site-specific events that activated a large number of audiences in unexpected locations of the city and Content Product Manager in Vodafone TV's content delivery platform.

      Vassiliki Papagiannakopoulou, journalist and copywriter, specializing in Media, Cultural Research, and Audiovisual Arts, director of Madame Figaro magazine in charge of the intervention through public dialogue and the communication and cooperation of the group in order to develop networks of cooperation with other cultural and scientific institutions, etc.

      Katerina Pramatari, professor at the Athens University of Economics and Business, managed after an intensive 15-year effort to introduce students in a functional way to the depths of IT, to effectively support innovation and entrepreneurship by setting up Acein, a space that enables young people (who have no way to move on to further studies and education) to develop their ideas and present them to the market and by launching Unifund which supports Greek innovative teams by activating an international funding network in cooperation with international organisations such as Equifund.

      Petros Damianos, a mathematician, who two decades ago started volunteering to give lessons to prisoners in the Avlonas juvenile detention centre and today runs 3 well-organized schools inside the prison where teenagers (often going to school for the first time) and prisoners who take university entrance exams attend and manage to continue their lives integrated into society after release. Through cultural activities and synergies with university institutions, scientists, and artists who entered prison and opened the students' horizons, it made schooling attractive to prisoners and succeeded (through a recent bill) in establishing new schools throughout the country and staffing them effectively.

      Sylvia Kouvali of Rodeo Gallery in Istanbul, London, and Piraeus has created groups, exhibitions, and actions with international impact where art manages to interact with society, target racial restrictions and socially restrictive stereotypes, and create platforms of expression with marginalized people. Her collaboration on artworks and films of critical social interest and her strong international engagement enable the group to connect with successful examples from around the world and with internationally renowned artists.

      Yannis Papadopoulos, journalist (in publications such as TA NEA, KATHIMERINI) is mainly active in social issues and their consequences through deep, thorough and analytical research, which results in presentations and texts of exceptional accuracy and narrative competence that activate the direct participation of the reader through a subject matter that is unexpectedly revealing on difficult, inaccessible issues. He ventured into a multimedia presentation using - in addition to the text - photographs, video, and any medium that enables the reader/viewer to interactively follow themes and landscapes unfamiliar to them.

      Maria Kaldani, a social worker, who works with non-profit organizations from all over the world that have been organizing successful actions over the last two decades to support and reintegrate migrants and prisoners, focusing on education and the development of skills that facilitate their integration into the wider society. Her broad experience in managing such problems and vulnerable social groups ensures that Døcumatism is constantly updated, that problems are properly assessed, and that they are approached effectively in a meaningful way.

  • CONTACT
    • 64 I. Drosopoulou str
      11 257 Athens, Greece
      t : +30 210 8846 101, +30 694 4524 042
      e : contact@documatism.com