the AfroGreeks at SPACE OF TOGETHERNESS exhibition, NEON
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  • the AfroGreeks [2015-2024]
  • ABOUT
    • the AfroGreeks at the exhibition Space of Togetherness, NEON

      | 9 September – 20 October 2024|
      At the Drama School of the National Theatre of Greece |Pireaus street 52, 185 47, Piraeus|

      The exhibition explores how preconceived ideas of racism, social mobility, and rights of migrants in contemporary society, are woven into our daily lives and how we can find a sense of belonging and learn to live and co-exist through the thoughtfulness of class, race, and gender.

      Participating artists & collectives | Igshaan Adams, Taysir Batniji, Enri Canaj, Marianna Christofides, Døcumatism, Mona Hatoum, patricia kaersenhout, Menelaos Karamaghiolis, Bouchra Khalili, Grada Kilomba, Tarik Kiswanson, Sophie Kovel, Kalliopi Lemos, Maria Loizidou, Malgorzata Mirga-Tas, Stella Nastou, Kostas Roussakis, Georgia Sagri, Antrea Tzourovits, VASKOS.

      Curated by Elina Kountouri

      Metro | Moschato Station (Metro Line 1, 13-minute walk)
      Buses | 049, 420 (ION stop) & 860, 914 (Gefyra stop)


      the AfroGreeks
      (participates in this exhibition in 3 rooms)

      A collective community project about the African Diaspora, the AfroGreeks, was initiated in Greece in 2015 by Døcumatism. It consists of video installations, inter- views, social interactions, research, public actions, and an archive – laboratory. The term Afro-Greek is a self-proclamation that the protagonists of the work use in a critical way. It was first used publicly in 2019 as the title of a video installation by Døcumatism, during a public dialogue at the Kypseli Agora. It launched the artistic movement documented here, doing much to stimulate a public discussion about the African diasporic communities in Athens and beyond. Initial events took place in the neighborhood of Kypseli, one of Athens’ most culturally diverse areas but one that had been marginalized for a long time. Over the years, Døcumatism has created a network of collaborators within a community whose protagonists are mostly the members of the African Diaspora in Greece. Collected by Døcumatism, their stories highlight the problems of integration linked mainly to marginalised trajectories. The resulting archive that has been created represents the first attempt to document the history of African communities in Greece. It contains audiovisual research material spanning four centuries, portraying the history of the African Diaspora in the Mediterranean through artistic processes, as part of the national narrative and Greek history. the AfroGreeks project is a dynamic platform of expression for the participants, as artists and as active citizens in the effort to combat all forms of racism.

      The project has been presented internationally at universities, conferences, the Center of Contemporary Art in Geneva, Serpentine Cinema, the Afroeuropeans Conference, ICA Sofia etc. The presentation of the AfroGreeks at the Drama School of Athens will be accompanied by live events: concerts, workshops, open discussions, and guided tours.


      Room 1 (Space 15)

      the AfroGreeks – Jessica, 2019-2020
      Digital video, 3 channels, colour, stereo sound Duration 07:28

      Jessica recounts her experience of Afro-Greeks not being accepted on grounds of colour, the racism they face when looking for a job, the deadlock that leads her to a new migration, and the difficulties her parents face.
      Jessica was born in Nigeria; she grew up and lives in Athens.

      the AfroGreeks – Aggelos, 2020-2022
      Digital video, 3 channels, colour, stereo sound Duration 10:27

      Aggelos grew up in a close-knit provincial community. He has been exposed to both domestic violence and domestic racial discrimination and describes the abuse he has suffered due to his skin colour and sexual orientation. Through artistic processes, he claims his identity by performing Greek traditional music in unanticipated places.
      Aggelos has a mixed ethnic background. His parents come from the Caribbean and Greece. He was born and raised in Atalanti and lives in Athens.

      the AfroGreeks – Sofia, 2020-2023
      Digital video, 3 channels, colour, stereo sound Duration 05:00

      Sofia dynamically claims her identity and the right to be a self-made entrepreneur, expresses her doubts with regards to the term ‘Afro-Greek,’ and feels that she lives in a country that does not accept blackness and whose laws constantly impose barriers that impede the smooth integration and equal treatment of people of colour.
      Sofia was born and raised in Athens and her family comes from Nigeria.

      the AfroGreeks – Samuel, 2019-2024
      Digital video, 3 channels, colour, stereo sound Duration 06:00

      Although Samuel is a third-generation immigrant living in Greece, he still doesn’t have Greek citizenship. He was racially attacked for the first time when he was 14 years old – in 2004 – when he went out to celebrate Greece winning the UEFA European Championship in Omonoia square carrying the Greek flag. He grew up in a neighbor- hood where people know what immigration means and asserts that, as a Greek actor, he claims to play every role he dreams of, regardless of his skin colour.
      Samuel was born and raised in Athens and his family comes from Nigeria and Kenya.

      the AfroGreeks – Grace, 2019-2024
      Digital video, 3 channels, colour, stereo sound Duration 05:00

      Grace contests the use of the term ‘black’ as a social construct of prejudice and the discrimination based on colour and gender. She criticises stereotypes and systemic racism and believes that to claim one’s identity in a white society one must first accept their characteristics so that the Afro-Greeks can create their own narrative, as an integral part of Greek history.
      Grace was born and raised in Athens and her family comes from Nigeria.

      the AfroGreeks – Mikel, 2019-2023
      Digital video, 3 channels, colour, stereo sound Duration 07:00

      Mikel dynamically asserts his identity as an artist, vividly expressing the difficulties he faces because of skin colour. He refers to the financial struggles that compel artists to choose other jobs in order to make ends meet and how street art supports artists claim their freedom and identity fighting against everyday racism.
      Mikel was born in Athens and his family comes from Ghana.

      the AfroGreeks – Idra, 2024
      Digital video, 3 channels, colour, stereo sound Duration 08:00

      Idra’s parents have different skin colours. She has grown up in a diverse environment and she has been feeling different since she was a child. She talks about the diffi- culties of black people living in a white society and a woman aspiring to become a singer in Greece. She describes how she revolted against stereotypes imposed on her and suggests new broader self-determinations for herself and for those who feel uncomfortable because of their colour, offering a groundbreaking critique of adher- ence to religion.
      Indra has a mixed ethnic background. Her parents come from Uganda and Greece. She was born and raised in Athens.

      the AfroGreeks – Solace, 2024
      Digital video, 3 channels, colour, stereo sound Duration 07:00

      Solace misses Nigeria as she has never been back since she left the country as a young child. She still remembers how traumatised she felt in Athens when she real- ised her colour could become an obstacle. She vividly describes racism in Greece in recent decades. As a black woman and a doctor, she was forced to do numerous jobs, while she could not complete her medical specialty because she did not have a Greek citizenship – even though she was entitled to it. As a Greek doctor now, she is confronted with the prejudices of patients regarding her colour and gender.
      Solace was born in Nigeria and raised in Athens.

      the AfroGreeks – Alimamy, 2019-2023
      Digital video, 3 channels, colour, stereo sound Duration 07:33

      Alimamy cannot train with men’s football teams as he still doesn’t have Greek citizenship, even though he is entitled to it according to the law. He is about to leave Greece to fulfill his dream of being a footballer. Together with his friends, he has set up a football team named ‘Dreamteam.’ They train in informal football fields in search of alternative ways to deal with discrimination, claiming freedom and equal treatment in their everyday lives.
      Alimamy was born in Sierra Leone. He grew up and lives in Athens.


      Room 2 (Space 12A)

      Singing in Athens,
      2011-2023 Digital video,
      2 channels, colour, stereo sound

      Duration 20:24

      Negros Tou Moria, MC Yinka, Demelza, Moose, Tosin, The Royal Accord Singers, Grace Nwoke, Mikel Ergar, Kofi Yiadom, B-Boy hustler, Menelaos Karamaghiolis, Stavros Triantos, Magnus Briem, Stelios Bouziotis, Renia Papathanasiou, Panos Markou, Melissanthi Giannousi.

      The Afro-Greek artists record their songs in a city entangled in perpetual turmoil. They affirm their faith dynamically and organise free dance activities in public spaces, claiming visibility. While the city has been protesting in front of the Hellenic Parliament for the last 12 years, a contrapuntal dialogue projected on two screens takes place: Afro-Greeks participate in the demonstrations of an ongoing crisis through impulsive artistic interventions and offer alternative ways of expression and protest against violence, fear, and all kinds of prejudice and racism. Their public actions create an improvised and free ‘parliament’ shaped through street art and different manifestations of faith in public space. The city of Athens protests, prays, remembers, falls in love, dances, claims, and becomes – at least briefly – a radical model of equal coexistence without prejudice.


      Room 3 (Space 17)

      the AfroGreeks ARCHIVE

      the AfroGreeks is a collective community ongoing project whose practise evolves around moving image as the starting and ending point of public actions that are filmed. Screenings will be accompanied by an archive workshop presented at the Library of the Drama School of the National Theatre of Greece; its content focusses on a four-century audiovisual research material, that captures – through an artistic process- the history of African Diaspora in the Mediterranean as part of the national narrative. Visitors become witnesses and are invited to study the open access archive material of the work through a participatory process shaped by the protagonist and co-creators who will be present in the exhibition space. Viewers are further invited to investigate the archive and participate creatively in its evolutionary path. The archive provides access to research material from the African-origin populations in Crete and Thrace from the 16th century until today. Viewers will explore international literature of African origin authors, 60 (to date) filmed public actions and project videos, primary material of the 200 (to date) unedited interviews of the protagonists, and photos selected and submitted by Afro-Greeks themselves. Moreover, viewers will be invited to provide their own testimony to the project.

      Grace Chimela Eze Nwoke, Greek anthropologist and performer of Nigerian descent, is an active member of the Døcumatism group and is in charge of curating the archive and coordinating the AfroGreeks project’s live actions.

      Copyright of photographies by DØCUMATISM & Natalia Tsoukala, Courtesy NEON

  • VIDEOS
      • the AfroGreeks at the exhibition space of togetherness
  • EXTRA MATERIALS
    • Text | the AfroGreeks: a project, a concept, a challengePhotographs © DØCUMATISM & Natalia Tsoukala, Courtesy NEON
  • HOME
  • ONGOING
    • the AfroGreeks [2015-2024]
    • Greekies [2011-2024]
    • RE-REC Borders [2011-2021]
    • ROMnet [1989-2020]
  • WORKS
    • Dance Your Way Around Us
    • [a]known destinations chapter III
    • Racism is a Fail
    • Radio Movies
    • All Souls Day – Part II
    • Reminiscences of an Unprocessed Leather Technician
  • TIMELINE
      • 2024
        • 19/10/2024 SINGING + DANCING IN THE SPACE OF TOGETHERNESS
        • 10/10/2024 COLOR AS AN OBSTACLE OR LIMITATION FOR AN ACTOR IN GREECE
        • 29/09/2024 THE NECESSITY (OR NOT) OF THE TERM AFRO-GREEK
        • 09/09-20/10/2024 the AfroGreeks at SPACE OF TOGETHERNESS exhibition, NEON
        • 20/06/2024 I DID NOT COME, I LEFT | mural work, screenings
      • 2023
        • 01/11/2023 Dance Battle – Geneva: The Art of Now
        • 01/11-23/12 2023 Re/member your House – the AfroGreeks exhibition
        • 31/10/2023 Dance performance live event: Re/member your House
        • 07/10/2023 All-day festival with on-site graffiti and dance
        • 20/09/2023 the AfroGreeks at the Cine Paradise / Industries of Coexistence
        • 22/06/2023 the AfroGreeks at the Athens and Epidaurus Festival
        • 11/06/2023 the AfroGreeks activate an abandoned public space
        • 5-7/05/2023 the AfroGreeks at I HAVE A DREAM: UNITED SECOND GENERATION
        • 24/04/2023 the AfroGreeks screening & street concert for Serpentine
        • 27-30/03/2023 the AfroGreeks and Døcumatism participate in Life Cinematic
        • 07/10/2023 Heatwave Jam: All-day festival, on-site graffiti & dance
        • 30/09/2023 “Stray” screenings of Greekies in an open-air cinema
        • 23/06/2023 Live event at NATO Avenue
        • 11/06/2023 Live event: Is my art (also) my homeland?
        • 05/05/2023 Dance workshops for primary school children
      • 2022
        • 18/12/2022 the AfroGreeks celebrate 20 years of Greek Forum of Migrants
        • 16/12/2022 Future of Kypseli market: a public action
        • 8-9/12/2022 the AfroGreeks at the African Women in Media 2022 Conference
        • 06/12/2022 the AfroGreeks participate in the Clean Week 2022 competition
        • 22-24/09/2022 Presentation of the AfroGreeks at the Afroeuropean Conference
        • 12/09/2022 Love Is The Message, The Message Is Death: live event & discussion
        • 23/06/2022 the AfroGreeks project at the Ludwig Maximilian University
        • 11/06/2022 Empowering young people of African descent in Greece
        • 31/05/2022 Black History Month in Greece: Radio and live stream event
        • 18/05/2022 Concert to commemorate the African Diaspora in Crete
        • 28/04/2022 Mediterranean history of the African Diaspora workshop
        • 19/03/2022 Basic Needs: a public discussion
        • 17/02/2022 The AfroGreeks perform for the Cycladic Museum
      • 2021
        • 11/12/21 & 17/05/2022 Football vs Homophobia and Transphobia for Human Rights
        • 01/11/2021 the AfroGreeks at the Aspirations and Awakenings performance
        • 22/10/2021 the AfroGreeks visit the UBUNTU exhibition
        • 17/10/2021 Afro-Greek students at the exhibition 1821 before and after
        • 09/10/2021 Public event in Thrace with residents of African descent
        • 1-3/10/2021 the AfroGreeks perform at World Music festival
        • 16/09/2021 the AfroGreeks meet OMMA group dancers
        • 01/05/2021 the AfroGreeks and Greek traditional music
        • 25/04/2021 Afrofitness workshop for primary school children
        • 03/04/21 Negros tou Moria performance celebrating Kolokotronis
        • 21/03/2021 Restoring Closeness, the AfroGreeks live: Events & live-streaming
      • 2020
        • 10/12/2020 I Am Not Your Negro & the AfroGreeks – Online event
        • 24-25/09/2020 Images of African & Black Diaspora – Art workshop
        • 14-15/07/2020 Dreaming of a black Evzone – painting workshop
        • 14/06/2020 Sit-in protest & concert in solidarity to the BLM movement
        • 05/06/2020 Dance action as solidarity protest for the BLM movement
      • 2009-2019
        • 09/09-10/10/2019 Installation of the AfroGreeks-prologue with live events
        • 15/05/2019 Screening of the AfroGreeks – prologue & public dialogue
        • 19-24/09/2016 The first public action of the AfroGreeks as part of IdeasCity
        • 2015-2018 Døcumatism is filming the African diaspora in Athens
        • 2012-2019 African women in the documentary My Cotton Family
        • 2011-2018 Inmates of African origin in the film Beyond Borders
        • 2011 Young people of African descent in the film Dear Ancestor
        • 2009 Public actions vs the deportation of Loretta Μacaulay
        • 2012-2017 Greek Animal Rescue – the starting point
  • PROFILE
    • The real power of document can be an important starting point for an art that would be contemporary and topical, with creative social interventions: outside the restrictive borders of galleries and museums, ensuring the active participation of the protagonists themselves in the final result, without them being approached just as subjects of depiction.

      Døcumatism is a  group of filmmakers, artists, curators, historians, social workers, researchers, and educators, who since 2009, starting from the moving image and documentary, have been organizing artistic actions and public dialogues on critical social issues, aiming at exploring invisible and inaccessible landscapes and launching possible solutions. Initiate dialogues to find possible solutions to crucial social issues, making the "invisible" visible.

      Through artistic actions and films starring anti-heroes and stories that break barriers and stereotypes, the Døcumatism team makes film art a functional tool for those living on the margins of society.

      The main aim of the group is the interaction and collaboration between artists and spectators in order to design ways by which an artistic action, which concerns a key social issue, can function as a "lever" and "weapon" throughout its preparation, production, and distribution in order to mobilize broader debates, making the recipient, a witness.

       

      The Team

      Døcumatism consists of filmmakers, visual artists, sociologists, prison school teachers, art curators, journalists, and researchers who collaborated for 10 years during the preparation of the film J.A.C.E - Just Another Confused Elephant and the first Greek interactive documentaries entitled "MEETING WITH REMARKABLE PEOPLE".

      The main motivation for the creation of the group was the great success of these films with praising reviews on television, in festivals, cinemas, schools, universities, conferences, clubs, and prisons, and the discussions that followed with the audience after the screenings. The screenings of these films - which continue in Greece and abroad - provoke strong public participation, resulting in direct, concise, and thorough information on sensitive social issues (such as homelessness, unemployment, volunteerism, reclaiming public space, stray animals, neglected areas of the capital, education in juvenile detention centres, the reintegration of released prisoners, immigration, refugees, etc.) resulting in immediate activation of the audience.

      The intense and immediate social impact of these films made the members of the group design ways in which a film or an artistic action with a key social issue can act as a "lever" and "weapon" throughout its preparation and distribution, with the ultimate goal of mobilizing wider actions and debates and launching possible solutions for the purpose of art-cinema-community interaction and exchange.

      The members of Døcumatism identify the themes on which the group's films and artistic actions will be based, creating broader collaborations with filmmakers, artists, musicians, social workers, scientists, and educators, starting from Athens, its visible and invisible problems, its new heroes (anti-heroes whose lives are success stories) and its hidden and unlimited dynamics.

      The teams of these actions are:
      1. the scientific/consultative/research team that selects and designs the themes.
      2. the art team which undertakes the production of the films and other artistic actions.
      3. the journalism team that prepares the ways in which the actions will have a scaled social interaction and penetration to targeted and wider populations and social groups.
      4. the educational team that uses the process of preparing Døcumatism actions to ensure the creative participation of young artists, filmmakers, students, and pupils.
      5. the productive & economical team that organizes the financing and realization of the films and actions.

      The teams work closely together throughout the preparation and production of the actions in order to prepare a fertile ground for their access to targeted audiences at the time of completion and distribution of the films and actions. This is achieved through parallel events, publicity in print and online press, a strong presence in social media, and collaboration with groups that are active on specific issues.
      Døcumatism has already started its next activities, an intervention in key social issues, through diverse and innovative cultural actions, using art, cinema, and new technologies, together with educational, artistic, and research programmes that initiate the development of a public dialogue between the audience, the creators, the protagonists, and the works themselves.

      Listed below are the partners with whom the Døcumatism team was officially established, who contribute with personal work combining their scientific, artistic, and technical knowledge.

       

      Listed below are the partners by whom the Døcumatism team was officially established, who contribute with personal work combining their scientific, artistic, and technical knowledge.

      Menelaos Karamaghiolis, artist, director and screenwriter. All his films aim at social awareness and are used as "weapons" by their protagonists: from ROM, documentary, 1989 (first depiction of the term Roma in Greece in a documentary film), J.A.C.E.- Just Another Confused Elephant, co-produced fiction, 2012 (the life of an orphaned immigrant) to the interactive documentaries MEETING WITH REMARKABLE PEOPLE (2011-2020) with struggling and "doomed" heroes with no prospect.

      Grace Chimela Eze Nwoke, a Greek social scientist and performer of Nigerian descent.  She completed her postgraduate studies at the Department of Social Anthropology of Panteion University and is continuing her research about the African Diaspora in Athens, contributing to the conversation of its visibility in Greece. She is a member of the Døcumatism team and has undertaken the research, organization and artistic supervision of the collective community project the AfroGreeks, with the filmmaker Menelaos Karamaghiolis. She has experience in organizing live events, public discussions, educational exchange programs, using creative artistic performances to delve deeper into matters regarding the inclusivity, visibility, and empowerment of African communities. Grace is the co-founder of the team Bantu Dancers and the African community engagement platform Afrosocially. A member of the Anasa Cultural Center, the African Cultural Community Vana Ba Africa and the theatrical group Vice Versa.

      Mazin Hussein, an Athenian with Sudanese-Greek heritage, is a User Experience Designer based in Switzerland who breathes life into tech, design, and photography. With a rich background in diverse projects and organizations such as MarineTraffic, Ericsson, Scania, and BuzzBrothers, Mazin has delved into the transformative power of design thinking on innovation. He has founded TEDxAUEB and is an active participant in numerous social organizations and grassroots initiative.

      Orestis Plakias, marketing manager, and content curator specialized in information and advertising distribution in social media with impressive results such as the active mobilization of viewers at NYXTES PREMIERAS, the multimedia empowerment of EN LEFKO with site-specific events that activated a large number of audiences in unexpected locations of the city and Content Product Manager for Vodafone TV's content delivery platform.

      Vassiliki Papagiannakopoulou, with a longstanding career in the Media industry as the editor-in-chief of Madame Figaro, is now a freelance journalist, copywriter and communications specialist with a focus in Media, Cultural Research, and Audiovisual Arts. She is in charge of curating cultural interventions through public dialogue and oversees communications for the group in order to develop networks of cooperation with other cultural and scientific institutions, etc.

      Renia Papathanasiou is an XR designer, researcher and lecturer. Her research concentrates in XR systems and interactive installations, especially in engaging XR technologies to increase social impact on key social issues via immersive ludic environments. Her individual and team works have been presented and published in several conferences, festivals and journals around the world. Since 2019 is a member of the Døcumatism team as an XR Production Director / Business Development & Innovation Manager, focusing mainly on documentary films and cinematic interactive installations. Currently she is a PhD Candidate at the School of Film of the Aristotle University of Thessaloniki, Greece, focusing on XR and EEG/BCI systems in Documentary films and Location Based Narratives.

      Katerina Pramatari, professor at the Athens University of Economics and Business, managed after an intensive 15-year effort to introduce students in a functional way to the depths of IT, to effectively support innovation and entrepreneurship by setting up Acein, a space that enables young people (who have no way to move on to further studies and education) to develop their ideas and present them to the market and by launching Unifund which supports Greek innovative teams by activating an international funding network in cooperation with international organisations such as Equifund.

      Petros Damianos, a mathematician, who two decades ago started volunteering to give lessons to prisoners in the Avlonas juvenile detention centre and today runs 3 well-organized schools inside the prison where teenagers (often going to school for the first time) and prisoners who take university entrance exams attend and manage to continue their lives integrated into society after release. Through cultural activities and synergies with university institutions, scientists, and artists who entered prison and opened the students' horizons, it made schooling attractive to prisoners and succeeded (through a recent bill) in establishing new schools throughout the country and staffing them effectively.

      Sylvia Kouvali of Rodeo Gallery in Istanbul, London, and Piraeus has created groups, exhibitions, and actions with international impact where art manages to interact with society, target racial restrictions and socially restrictive stereotypes, and create platforms of expression with marginalized people. Her collaboration on artworks and films of critical social interest and her strong international engagement enable the group to connect with successful examples from around the world and with internationally renowned artists.

      Yannis Papadopoulos, journalist (in publications such as TA NEA, KATHIMERINI) is mainly active in social issues and their consequences through deep, thorough and analytical research, which results in presentations and texts of exceptional accuracy and narrative competence that activate the direct participation of the reader through a subject matter that is unexpectedly revealing on difficult, inaccessible issues. He ventured into a multimedia presentation using - in addition to the text - photographs, video, and any medium that enables the reader/viewer to interactively follow themes and landscapes unfamiliar to them.

       

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