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Visual Action – Video Installation [a]known destinations chapter III: reconnection – a second chance: exhibition. τhe AfroGreeks, 3-channel installation.
Curation: Kostas Prapoglou
In the space We Need Books, a triptych or a work in 3 parts was exhibited, containing “the AfroGreeks” a 14-minute film, a brief presentation of the “invisibles” of Kypseli. This film was made in order to give a name and a voice to the “invisibles” of Kypseli, in Athens, who claim the right to be Greeks of African descent. The title of the film is a public declaration and admission of their right to be called Afro-Greeks. It is part of a larger project that has been filmed over the last 8 years by the Døcumatism group.
2 videos without sound:
“The Invisible-Visible”, 8 minutes
“The Guests”, 3 minutes
In the two “silent” videos, the viewer has the opportunity to become present and witness in spaces that, although they seem suffocatingly closed and restrictive, become liminal spaces where the Africans of Kypseli can feel free and accepted.
The lens and the processing of the material “disappear” and the camera identifies with the heroes and becomes the “eye” of the viewer, aiming at a direct and immediate relationship with the heroes of the films.
The way the bodies move, claiming a ball, cancels out the “Guests” sign that is prominently displayed behind them. By moving in front of the restrictive “The Guests” sign, they are claiming their freedom by making baskets, which makes them an encouraging example for any second-generation Greek hoping for a scenario of counterculture recognition. At the same time, they are waiting for the delayed official recognition by the Greek state.
“To seek God is to seek oneself on the heights” by Maeterlinck seems to be the guide for the heroes in The Invisible-Visible: in perhaps the only place where they can feel included, visible and accepted and above all free; that is why they do not hesitate to pray by dancing, sleeping, laughing, singing, playing and insisting on looking at the lens and the viewer straight in the eyes.
Stories and the redefinition of narration in a cinema that is looking for neglected and real heroes making them protagonists; these are the guides for Μenelaos Κaramaghiolis and Døcumatism that insists on telling stories that can awaken and be an essential tool for dialogue and social intervention.