All Souls Day – Part II
  • HOME
  • ABOUT

    • ALL SOULS DAY – PART II

      The moral crossroads that Menelaos Karamaghiolis’ new moving image works generate expand the video space and introduce a new kind of realism the filmmaker has been constructing throughout the past decade, by mapping what is not central in the geography of the heroic.#no_border_films (2019) is the name of an Instagram account the artist has created for a group of video works to be part of, selected, organized and uploaded by himself over a period of time. The viewer is able to experience the video given the time frame that Instagram allows. The video #nøborders, contrary to the Instagram version, can be viewed in its full length within the liminal space that’s been hosted by the gallery in order to turn Cloud space into materialized memory. It depicts a ceremony where a man with a phone camera is the centre point. The video is part of a larger project that started in a juvenile prison (and continues until today after seven years) making its filming a functional ‘tool’ for its protagonists to use and claim solutions to their problems.

      We are watching him holding a mobile phone over the dead body of an old woman, unsure whether he is filming and slowly realizes that it is a tele-mourning ceremony alongside the actual one taking place in the room. It happens that as he has just been released from prison he is under a travel ban and is not allowed to go to Albania where the actual burial of his mother is going to take place. He is connected to his sister in Fier who mourns in this ceremony that is being performed for him in Athens.

      No one will kill you, anymore than if you were a corpse (2019) is a video in three variations that will change throughout the course of the exhibition irregularly and unannounced. A filmmaker claims fear staying alone in a pet cemetery and follows the gravedigger, who goes to pick up a corpse of a dog. Is this the case, or is it that the invasive presence of the camera lens perpetually employs childish excuses so that it pierces uninterruptedly through every private moment?
      The need of recording everything through a camera, the fear of death and the human burial customs are being harshly judged by a dog that questions its own death and creates a confusion in quest of its immortality.
      Finally, was it itself that was buried, the small white one from the fridge or a pillow?

      Rodeo Gallery Piraeus, April 5 – June 1, 2019

  • HOME
  • ONGOING
    • the AfroGreeks [2015-2024]
    • Greekies [2011-2024]
    • RE-REC Borders [2011-2021]
    • ROMnet [1989-2020]
  • WORKS
    • Dance Your Way Around Us
    • [a]known destinations chapter III
    • Racism is a Fail
    • Radio Movies
    • All Souls Day – Part II
    • Reminiscences of an Unprocessed Leather Technician
  • TIMELINE
      • 2024
        • 09/09-20/10/2024 the AfroGreeks at SPACE OF TOGETHERNESS exhibition, NEON
        • 20/06/2024 I DID NOT COME, I LEFT | mural work, screenings
        • 29/09/2024 THE NECESSITY (OR NOT) OF THE TERM AFRO-GREEK
        • 10/10/2024 COLOR AS AN OBSTACLE OR LIMITATION FOR AN ACTOR IN GREECE
        • 19/10/2024 SINGING + DANCING IN THE SPACE OF TOGETHERNESS
      • 2023
        • 11/06/2023 Live event: Is my art (also) my homeland?
        • 07/10/2023 Heatwave Jam: All-day festival, on-site graffiti & dance
        • 05/05/2023 Dance workshops for primary school children
        • 23/06/2023 Live event at NATO Avenue
        • 30/09/2023 “Stray” screenings of Greekies in an open-air cinema
        • 27-30/03/2023 the AfroGreeks and Døcumatism participate in Life Cinematic
        • 24/04/2023 the AfroGreeks screening & street concert for Serpentine
        • 5-7/05/2023 the AfroGreeks at I HAVE A DREAM: UNITED SECOND GENERATION
        • 11/06/2023 the AfroGreeks activate an abandoned public space
        • 22/06/2023 the AfroGreeks at the Athens and Epidaurus Festival
        • 20/09/2023 the AfroGreeks at the Cine Paradise / Industries of Coexistence
        • 07/10/2023 All-day festival with on-site graffiti and dance
        • 31/10/2023 Dance performance live event: Re/member your House
        • 01/11-23/12 2023 Re/member your House – the AfroGreeks exhibition
        • 01/11/2023 Dance Battle – Geneva: The Art of Now
      • 2022
        • 17/02/2022 The AfroGreeks perform for the Cycladic Museum
        • 19/03/2022 Basic Needs: a public discussion
        • 28/04/2022 Mediterranean history of the African Diaspora workshop
        • 18/05/2022 Concert to commemorate the African Diaspora in Crete
        • 31/05/2022 Black History Month in Greece: Radio and live stream event
        • 23/06/2022 the AfroGreeks project at the Ludwig Maximilian University
        • 12/09/2022 Love Is The Message, The Message Is Death: live event & discussion
        • 22-24/09/2022 Presentation of the AfroGreeks at the Afroeuropean Conference
        • 06/12/2022 the AfroGreeks participate in the Clean Week 2022 competition
        • 8-9/12/2022 the AfroGreeks at the African Women in Media 2022 Conference
        • 16/12/2022 Future of Kypseli market: a public action
        • 18/12/2022 the AfroGreeks celebrate 20 years of Greek Forum of Migrants
      • 2021
        • 21/03/2021 Restoring Closeness, the AfroGreeks live: Events & live-streaming
        • 03/04/21 Negros tou Moria performance celebrating Kolokotronis
        • 25/04/2021 Afrofitness workshop for primary school children
        • 01/05/2021 the AfroGreeks and Greek traditional music
        • 16/09/2021 the AfroGreeks meet OMMA group dancers
        • 1-3/10/2021 the AfroGreeks perform at World Music festival
        • 09/10/2021 Public event in Thrace with residents of African descent
        • 17/10/2021 Afro-Greek students at the exhibition 1821 before and after
        • 22/10/2021 the AfroGreeks visit the UBUNTU exhibition
        • 01/11/2021 the AfroGreeks at the Aspirations and Awakenings performance
        • 11/12/21 & 17/05/2022 Football vs Homophobia and Transphobia for Human Rights
      • 2020
        • 05/06/2020 Dance action as solidarity protest for the BLM movement
        • 14/06/2020 Sit-in protest & concert in solidarity to the BLM movement
        • 14-15/07/2020 Dreaming of a black Evzone – painting workshop
        • 24-25/09/2020 Images of African & Black Diaspora – Art workshop
        • 10/12/2020 I Am Not Your Negro & the AfroGreeks – Online event
      • 2009-2019
        • 2012-2017 Greek Animal Rescue – the starting point
        • 2009 Public actions vs the deportation of Loretta Μacaulay
        • 2011 Young people of African descent in the film Dear Ancestor
        • 2011-2018 Inmates of African origin in the film Beyond Borders
        • 2012-2019 African women in the documentary My Cotton Family
        • 2015-2018 Døcumatism is filming the African diaspora in Athens
        • 19-24/09/2016 The first public action of the AfroGreeks as part of IdeasCity
        • 15/05/2019 Screening of the AfroGreeks – prologue & public dialogue
        • 09/09-10/10/2019 Installation of the AfroGreeks-prologue with live events
        • Empowering young people of African descent in Greece
  • PROFILE

    • The real power of document can be an important starting point for an art that would be contemporary and topical, with creative social interventions: outside the restrictive borders of galleries and museums, ensuring the active participation of the protagonists themselves in the final result, without them being approached just as subjects of depiction.

      Døcumatism is a  group of filmmakers, artists, curators, historians, social workers, researchers, and educators, who since 2009, starting from the moving image and documentary, have been organizing artistic actions and public dialogues on critical social issues, aiming at exploring invisible and inaccessible landscapes and launching possible solutions. Initiate dialogues to find possible solutions to crucial social issues, making the "invisible" visible.

      Through artistic actions and films starring anti-heroes and stories that break barriers and stereotypes, the Døcumatism team makes film art a functional tool for those living on the margins of society.

      The main aim of the group is the interaction and collaboration between artists and spectators in order to design ways by which an artistic action, which concerns a key social issue, can function as a "lever" and "weapon" throughout its preparation, production, and distribution in order to mobilize broader debates, making the recipient, a witness.

       

      The Team

      Døcumatism consists of filmmakers, visual artists, sociologists, prison school teachers, art curators, journalists, and researchers who collaborated for 10 years during the preparation of the film J.A.C.E - Just Another Confused Elephant and the first Greek interactive documentaries entitled "MEETING WITH REMARKABLE PEOPLE".

      The main motivation for the creation of the group was the great success of these films with praising reviews on television, in festivals, cinemas, schools, universities, conferences, clubs, and prisons, and the discussions that followed with the audience after the screenings. The screenings of these films - which continue in Greece and abroad - provoke strong public participation, resulting in direct, concise, and thorough information on sensitive social issues (such as homelessness, unemployment, volunteerism, reclaiming public space, stray animals, neglected areas of the capital, education in juvenile detention centres, the reintegration of released prisoners, immigration, refugees, etc.) resulting in immediate activation of the audience.

      The intense and immediate social impact of these films made the members of the group design ways in which a film or an artistic action with a key social issue can act as a "lever" and "weapon" throughout its preparation and distribution, with the ultimate goal of mobilizing wider actions and debates and launching possible solutions for the purpose of art-cinema-community interaction and exchange.

      The members of Døcumatism identify the themes on which the group's films and artistic actions will be based, creating broader collaborations with filmmakers, artists, musicians, social workers, scientists, and educators, starting from Athens, its visible and invisible problems, its new heroes (anti-heroes whose lives are success stories) and its hidden and unlimited dynamics.

      The teams of these actions are:
      1. the scientific/consultative/research team that selects and designs the themes.
      2. the art team which undertakes the production of the films and other artistic actions.
      3. the journalism team that prepares the ways in which the actions will have a scaled social interaction and penetration to targeted and wider populations and social groups.
      4. the educational team that uses the process of preparing Døcumatism actions to ensure the creative participation of young artists, filmmakers, students, and pupils.
      5. the productive & economical team that organizes the financing and realization of the films and actions.

      The teams work closely together throughout the preparation and production of the actions in order to prepare a fertile ground for their access to targeted audiences at the time of completion and distribution of the films and actions. This is achieved through parallel events, publicity in print and online press, a strong presence in social media, and collaboration with groups that are active on specific issues.
      Døcumatism has already started its next activities, an intervention in key social issues, through diverse and innovative cultural actions, using art, cinema, and new technologies, together with educational, artistic, and research programmes that initiate the development of a public dialogue between the audience, the creators, the protagonists, and the works themselves.

      Listed below are the partners with whom the Døcumatism team was officially established, who contribute with personal work combining their scientific, artistic, and technical knowledge.

       

      Listed below are the partners by whom the Døcumatism team was officially established, who contribute with personal work combining their scientific, artistic, and technical knowledge.

      Menelaos Karamaghiolis, artist, director and screenwriter. All his films aim at social awareness and are used as "weapons" by their protagonists: from ROM, documentary, 1989 (first depiction of the term Roma in Greece in a documentary film), J.A.C.E.- Just Another Confused Elephant, co-produced fiction, 2012 (the life of an orphaned immigrant) to the interactive documentaries MEETING WITH REMARKABLE PEOPLE (2011-2020) with struggling and "doomed" heroes with no prospect.

      Grace Chimela Eze Nwoke, a Greek social scientist and performer of Nigerian descent.  She completed her postgraduate studies at the Department of Social Anthropology of Panteion University and is continuing her research about the African Diaspora in Athens, contributing to the conversation of its visibility in Greece. She is a member of the Døcumatism team and has undertaken the research, organization and artistic supervision of the collective community project the AfroGreeks, with the filmmaker Menelaos Karamaghiolis. She has experience in organizing live events, public discussions, educational exchange programs, using creative artistic performances to delve deeper into matters regarding the inclusivity, visibility, and empowerment of African communities. Grace is the co-founder of the team Bantu Dancers and the African community engagement platform Afrosocially. A member of the Anasa Cultural Center, the African Cultural Community Vana Ba Africa and the theatrical group Vice Versa.

      Mazin Hussein, an Athenian with Sudanese-Greek heritage, is a User Experience Designer based in Switzerland who breathes life into tech, design, and photography. With a rich background in diverse projects and organizations such as MarineTraffic, Ericsson, Scania, and BuzzBrothers, Mazin has delved into the transformative power of design thinking on innovation. He has founded TEDxAUEB and is an active participant in numerous social organizations and grassroots initiative.

      Orestis Plakias, marketing manager, and content curator specialized in information and advertising distribution in social media with impressive results such as the active mobilization of viewers at NYXTES PREMIERAS, the multimedia empowerment of EN LEFKO with site-specific events that activated a large number of audiences in unexpected locations of the city and Content Product Manager for Vodafone TV's content delivery platform.

      Vassiliki Papagiannakopoulou, with a longstanding career in the Media industry as the editor-in-chief of Madame Figaro, is now a freelance journalist, copywriter and communications specialist with a focus in Media, Cultural Research, and Audiovisual Arts. She is in charge of curating cultural interventions through public dialogue and oversees communications for the group in order to develop networks of cooperation with other cultural and scientific institutions, etc.

      Renia Papathanasiou is an XR designer, researcher and lecturer. Her research concentrates in XR systems and interactive installations, especially in engaging XR technologies to increase social impact on key social issues via immersive ludic environments. Her individual and team works have been presented and published in several conferences, festivals and journals around the world. Since 2019 is a member of the Døcumatism team as an XR Production Director / Business Development & Innovation Manager, focusing mainly on documentary films and cinematic interactive installations. Currently she is a PhD Candidate at the School of Film of the Aristotle University of Thessaloniki, Greece, focusing on XR and EEG/BCI systems in Documentary films and Location Based Narratives.

      Katerina Pramatari, professor at the Athens University of Economics and Business, managed after an intensive 15-year effort to introduce students in a functional way to the depths of IT, to effectively support innovation and entrepreneurship by setting up Acein, a space that enables young people (who have no way to move on to further studies and education) to develop their ideas and present them to the market and by launching Unifund which supports Greek innovative teams by activating an international funding network in cooperation with international organisations such as Equifund.

      Petros Damianos, a mathematician, who two decades ago started volunteering to give lessons to prisoners in the Avlonas juvenile detention centre and today runs 3 well-organized schools inside the prison where teenagers (often going to school for the first time) and prisoners who take university entrance exams attend and manage to continue their lives integrated into society after release. Through cultural activities and synergies with university institutions, scientists, and artists who entered prison and opened the students' horizons, it made schooling attractive to prisoners and succeeded (through a recent bill) in establishing new schools throughout the country and staffing them effectively.

      Sylvia Kouvali of Rodeo Gallery in Istanbul, London, and Piraeus has created groups, exhibitions, and actions with international impact where art manages to interact with society, target racial restrictions and socially restrictive stereotypes, and create platforms of expression with marginalized people. Her collaboration on artworks and films of critical social interest and her strong international engagement enable the group to connect with successful examples from around the world and with internationally renowned artists.

      Yannis Papadopoulos, journalist (in publications such as TA NEA, KATHIMERINI) is mainly active in social issues and their consequences through deep, thorough and analytical research, which results in presentations and texts of exceptional accuracy and narrative competence that activate the direct participation of the reader through a subject matter that is unexpectedly revealing on difficult, inaccessible issues. He ventured into a multimedia presentation using - in addition to the text - photographs, video, and any medium that enables the reader/viewer to interactively follow themes and landscapes unfamiliar to them.

       

      Website Credits

      Creative Direction and design by YOOOP Studio
      Developed by Chrystos Tsamardas

       

  • CONTACT

    • 64 I. Drosopoulou str
      11 257 Athens, Greece
      t : +30 210 8846 101, +30 694 4524 042
      e : [email protected]