RE-REC Borders [2011-2021]
  • HOME
  • ABOUT
    • Meeting with Remarkable People | A Platform of Interactive Documentary Films

      Heroes who discover the way one can handle the predicaments of the recent crisis in Greece, through a different and -actually- political intervention, become the “guides” in an interactive platform, where the viewer can experience their stories, expanded in space and time, through an interactive player. 12 feature films, where the protagonists are invisible, doomed, and “condemned” characters with no perspective and hope (i.e. young jobless scientists, homeless, juvenile prisoners, persecuted refugees, Greek immigrants in Germany, wounded strays), augmented by 180 short films, give the viewer the possibility to watch the stories of the heroes the way they want. Filming seven years of the lives of these heroes, who belong to socially weak and vulnerable groups of people, at the end of each film, there is light at the other side of the tunnel, solutions are being detected for the predicaments of the crisis, and a happy end is on the way, achieved by themselves, with no intervention from the screenwriter, in a country where the crisis lingers on. This way, a new interactive form of documentary film is created, for the first time in Greece, with the support of the Onassis Foundation, National Greek Television, and Ministry of Culture. Therefore, the original 12 films and their stories expand creatively in space and time, illustrating the sequel of each story, and the fascinating course of their heroes from around the globe.

  • SYNOPSIS
    • Milad – My Planet…
      Jelani married a woman from a different tribe. To avoid getting killed, they fled their country. On foot – and any other way possible – they finally arrived at a river, months later. Some die crossing it; others manage to swim across and enter Europe. But, once they set foot in Greece, the first adjacent European country, they found themselves homeless and socially excluded, without being able to move on or go back. The only solution is to travel illegally to Germany, that’s what the smugglers say. They don’t have enough money for the whole family to pass. Jelani faces this dilemma and has to choose. If one of the children leaves unaccompanied and arrives in Germany sound and safe, it will be able to bring the whole family there. Jelani’s children will have to learn violently what it’s like to discover their own planet or how they can create one from scratch – and whether Germany is the solution or just a new nightmare.

      The Return
      Can theater as an education and rehabilitation medium help underage inmates, who stage their own lives, to overcome the limitations and obstacles of prison? Can theater become an educational and rehabilitation medium for underage inmates who have no chance of escaping disobedience? In a teenage prison, the inmates stage their own lives and become protagonists of a film that attempts to overcome the limitations and obstacles of a “correctional” institution.

      My Cotton Family
      Will these pregnant women or with underage children, alone, find a shelter and be reunited with their families that are scattered around the world? Mothers with their underage children or pregnant women, alone, persecuted in their countries for political and social reasons, find shelter in a house in Syngrou Avenue, Athens, where a group of specialists help them integrate in society and find the members of their families that are scattered in other countries. These women, who had no other choice than exile, find in that shelter the support they need in order to lawfully redefine their future in a strange continent.

      Beyond Limits
      A school in a juvenile prison? Can underage inmates – convicted for life to recidivism – find the means there to make a new start in their lives? A prison turns into a bright pause from hard life, when a group of teachers decides to found a school in juvenile prison of Avlona; as a result, knowledge and culture invade the young inmates’ lives, who would not have access to them in any other way. The years of detention become a useful flash of light in the lives of people who grow old deprived of basic social rights and convicted to recidivism. In prison’s school, they find the means to make a new start. Will they make it?

      Theatre and Reality
      Can documentary and reality become a theatrical play where the “protagonists” redefine institutions and their own lives on stage? Document and reality become a theatrical performance and real life heroes become the “protagonists” of their own lives on stage, demanding a better prospect. The protagonists of the documentary theater play are the people of Lygourio village who, through their narration on stage, depict the history of Epidaurus Festival, along with some doubts about this institution, and the Greek Railways employees who discover the importance of the railways both in their lives and the history of modern Greek life.

      Greek Animal Rescue
      Why are wounded stray dogs from Greece so popular for adoption abroad? Is there a hope for the ill-fated dogs, and an ill-fated area near Athens? A gravely ill, abused three-legged stray dog, abandoned in the industrial desert of Aspropyrgos, a town near Athens; a London-based charity whose mission is to help the neglected animals of Greece; a group of young volunteers who patrol Aspropyrgos and attend to the strays – these are the characters of the film found in a nightmarish place, a hellhole for many abandoned animals. Does the sick three-legged hound stand any chance of getting adopted, becoming healthy again and running across the fields of Essex? Why are the Greekies – the strays from Greece – so popular when it comes to being adopted abroad? With an unexpected ending, the film tries to discover whether there is any hope for the doomed dogs and for a doomed area outside Athens. A cinematic allegory of the Greek circumstances during the crisis based on true stories taking place in “invisible” districts near Athens that tourists and Athenians often ignore. The stories of stray animals depict – with a cinematic precision – everything that happens in Greece in times of crisis and motivate a London based charity, that discovered this by chance, to start a European campaign aiming at awakening all those who live “protected” and trapped in big cities.

      Should I Stay Or Should I Go?
      Six Greeks put their real stories on stage and wonder whether they should stay in Greece during the crisis or go. So, will they stay or will they go? Six Greeks perform their true stories on stage wondering whether they should stay in the Greece of the crisis or leave. A German tries to understand whose fault this is and all together they attempt a new kind of theatre that turns documentary into a theatrical play. The camera follows the true lives of the heroes both in Berlin and Athens and along with the audience gets involved in the real stories of the protagonists that play themselves on stage. So, should they stay or should they go?

      The Second Chance
      Is there ever a second chance in real life? A young inmate from Lithuania learns Greek in the prison’s school and aspires to study at the Technical University. Will he make it? “…You go out in the yard. On a bench, you find some prisoners talking about how they will break the law without getting caught. On other benches, prisoners talk about drugs and Kalashnikovs. And suddenly, you see a big Lithuanian guy with some other inmates of the same proportions playing chess…” These are the words of a music teacher that is currently incarcerated in the Special Youth Detention Center in Avlona, Greece. Is there ever a second chance in real life? A young man from Lithuania finds himself imprisoned in a youth detention center in a foreign country where he doesn’t even speak the language. He can either stay in his cell and give up everything or find a way to redefine his life. He may even try to learn Greek in the prison’s school, discover his hidden talents and study at the Technical University one day. Will he succeed? For three years, he strives to fulfill these seemingly unattainable goals as the camera records his anguish to start his life from scratch.

      Matternet
      Can drones support – for peaceful purposes – Third World cities that find themselves secluded because of weather conditions and poverty? A new network of transportation and communication, or a science-fiction scenario? Andreas Raptopoulos, an engineer from Greece, travels around the world and invents new applications that try to find a solution to social problems. In Singularity University, in NASA’s premises, organized by another scientist of the Greek diaspora, Peter Diamandis succeeds in making a utopian dream come true: Raptopoulos is the first one to build drones for peaceful purposes as a means to help Third World populations and cities that find themselves secluded because of weather conditions and poverty. A course that starts in a Technical School in Greece, and passes from London before going to San Francisco, Silicon Valley, Amazon.com, and finally the steep mountains of Mongolia, creating a new network for transportation and communication, which is no longer science fiction.

      Start Up Means… I Begin
      Unemployed Greeks find ways to carry out venturesome dreams and impossible ideas by giving birth to dynamic and ambitious startups in Silicon Valley. Unemployed Greeks, trying to promote their business abroad, arrive at Silicon Valley. The successful Greeks of California support and guide them by financing their bold dreams and impossible ideas, giving birth to new startups. Some of these startups become sought-after and are sold to big companies, like Tech behemoth Google, while their creators present them on camera, describing the whole process, the know-how, exonerating failure, giving a significant meaning to innovation.

      My Raft
      The jobless “new poor” in times of crisis through the first Greek street-magazine find again their hopes so they can get a home, a job, study and a position in the society that has excluded them. They found themselves homeless in a city that doesn’t know how to help them. The jobless “new poor” of our country have no hope. John Bird, an ex-homeless man and the homeless street paper he created in London, is the starting point, and, through his advice, the film follows Christos Alefantis and his team, as they lay the basis for their “Raft”, the Greek street paper “Shedia”. The camera documents the printing of the first issue, along with the worries whether this endeavor will succeed, so that excluded people are able to find a home, get a permanent job, study and reclaim their position in the society that has chased them away.

      Kick Out Poverty
      The National Homeless football team competes with other homeless teams from around the globe and proves that football can become an important “weapon” against social seclusion. A football team represents Greece in a world cup and wins the Fair Play Award. The Greek Homeless Football Team competes with other homeless teams (like the Indonesia team whose players are HIV positive) in Poland. The film follows the homeless players in their first journey abroad, while they score and receive goals, and prove that football, sοcialization and tolerance can become important “weapons” for one to deal with the hardships of a life that seems lost and tries to find ways to deal with social exclusion.

  • TRAILER
    • ✕
  • INTERACTIVE VIDEOS
    • ︲Milad – My Planet…
    • ︲The Return
    • ︲My Cotton Family
    • ︲Beyond Limits
    • ︲Theatre and Reality
    • ︲Greek Animal Rescue
    • ︲Should I Stay Or Should I Go?
    • ︲The Second Chance
    • ︲Matternet
    • ︲Start Up Means... I Begin
    • ︲My Raft
    • ︲Kick Out Poverty
  • HOME
  • ONGOING
    • the AfroGreeks [2015-2024]
    • Greekies [2011-2024]
    • RE-REC Borders [2011-2021]
    • ROMnet [1989-2020]
  • WORKS
    • Dance Your Way Around Us
    • [a]known destinations chapter III
    • Racism is a Fail
    • Radio Movies
    • All Souls Day – Part II
    • Reminiscences of an Unprocessed Leather Technician
  • TIMELINE
      • 2024
        • 19/10/2024 SINGING + DANCING IN THE SPACE OF TOGETHERNESS
        • 10/10/2024 COLOR AS AN OBSTACLE OR LIMITATION FOR AN ACTOR IN GREECE
        • 29/09/2024 THE NECESSITY (OR NOT) OF THE TERM AFRO-GREEK
        • 09/09-20/10/2024 the AfroGreeks at SPACE OF TOGETHERNESS exhibition, NEON
        • 20/06/2024 I DID NOT COME, I LEFT | mural work, screenings
      • 2023
        • 01/11/2023 Dance Battle – Geneva: The Art of Now
        • 01/11-23/12 2023 Re/member your House – the AfroGreeks exhibition
        • 31/10/2023 Dance performance live event: Re/member your House
        • 07/10/2023 All-day festival with on-site graffiti and dance
        • 20/09/2023 the AfroGreeks at the Cine Paradise / Industries of Coexistence
        • 22/06/2023 the AfroGreeks at the Athens and Epidaurus Festival
        • 11/06/2023 the AfroGreeks activate an abandoned public space
        • 5-7/05/2023 the AfroGreeks at I HAVE A DREAM: UNITED SECOND GENERATION
        • 24/04/2023 the AfroGreeks screening & street concert for Serpentine
        • 27-30/03/2023 the AfroGreeks and Døcumatism participate in Life Cinematic
        • 07/10/2023 Heatwave Jam: All-day festival, on-site graffiti & dance
        • 30/09/2023 “Stray” screenings of Greekies in an open-air cinema
        • 23/06/2023 Live event at NATO Avenue
        • 11/06/2023 Live event: Is my art (also) my homeland?
        • 05/05/2023 Dance workshops for primary school children
      • 2022
        • 18/12/2022 the AfroGreeks celebrate 20 years of Greek Forum of Migrants
        • 16/12/2022 Future of Kypseli market: a public action
        • 8-9/12/2022 the AfroGreeks at the African Women in Media 2022 Conference
        • 06/12/2022 the AfroGreeks participate in the Clean Week 2022 competition
        • 22-24/09/2022 Presentation of the AfroGreeks at the Afroeuropean Conference
        • 12/09/2022 Love Is The Message, The Message Is Death: live event & discussion
        • 23/06/2022 the AfroGreeks project at the Ludwig Maximilian University
        • 11/06/2022 Empowering young people of African descent in Greece
        • 31/05/2022 Black History Month in Greece: Radio and live stream event
        • 18/05/2022 Concert to commemorate the African Diaspora in Crete
        • 28/04/2022 Mediterranean history of the African Diaspora workshop
        • 19/03/2022 Basic Needs: a public discussion
        • 17/02/2022 The AfroGreeks perform for the Cycladic Museum
      • 2021
        • 11/12/21 & 17/05/2022 Football vs Homophobia and Transphobia for Human Rights
        • 01/11/2021 the AfroGreeks at the Aspirations and Awakenings performance
        • 22/10/2021 the AfroGreeks visit the UBUNTU exhibition
        • 17/10/2021 Afro-Greek students at the exhibition 1821 before and after
        • 09/10/2021 Public event in Thrace with residents of African descent
        • 1-3/10/2021 the AfroGreeks perform at World Music festival
        • 16/09/2021 the AfroGreeks meet OMMA group dancers
        • 01/05/2021 the AfroGreeks and Greek traditional music
        • 25/04/2021 Afrofitness workshop for primary school children
        • 03/04/21 Negros tou Moria performance celebrating Kolokotronis
        • 21/03/2021 Restoring Closeness, the AfroGreeks live: Events & live-streaming
      • 2020
        • 10/12/2020 I Am Not Your Negro & the AfroGreeks – Online event
        • 24-25/09/2020 Images of African & Black Diaspora – Art workshop
        • 14-15/07/2020 Dreaming of a black Evzone – painting workshop
        • 14/06/2020 Sit-in protest & concert in solidarity to the BLM movement
        • 05/06/2020 Dance action as solidarity protest for the BLM movement
      • 2009-2019
        • 09/09-10/10/2019 Installation of the AfroGreeks-prologue with live events
        • 15/05/2019 Screening of the AfroGreeks – prologue & public dialogue
        • 19-24/09/2016 The first public action of the AfroGreeks as part of IdeasCity
        • 2015-2018 Døcumatism is filming the African diaspora in Athens
        • 2012-2019 African women in the documentary My Cotton Family
        • 2011-2018 Inmates of African origin in the film Beyond Borders
        • 2011 Young people of African descent in the film Dear Ancestor
        • 2009 Public actions vs the deportation of Loretta Μacaulay
        • 2012-2017 Greek Animal Rescue – the starting point
  • PROFILE
    • The real power of document can be an important starting point for an art that would be contemporary and topical, with creative social interventions: outside the restrictive borders of galleries and museums, ensuring the active participation of the protagonists themselves in the final result, without them being approached just as subjects of depiction.

      Døcumatism is a  group of filmmakers, artists, curators, historians, social workers, researchers, and educators, who since 2009, starting from the moving image and documentary, have been organizing artistic actions and public dialogues on critical social issues, aiming at exploring invisible and inaccessible landscapes and launching possible solutions. Initiate dialogues to find possible solutions to crucial social issues, making the "invisible" visible.

      Through artistic actions and films starring anti-heroes and stories that break barriers and stereotypes, the Døcumatism team makes film art a functional tool for those living on the margins of society.

      The main aim of the group is the interaction and collaboration between artists and spectators in order to design ways by which an artistic action, which concerns a key social issue, can function as a "lever" and "weapon" throughout its preparation, production, and distribution in order to mobilize broader debates, making the recipient, a witness.

       

      The Team

      Døcumatism consists of filmmakers, visual artists, sociologists, prison school teachers, art curators, journalists, and researchers who collaborated for 10 years during the preparation of the film J.A.C.E - Just Another Confused Elephant and the first Greek interactive documentaries entitled "MEETING WITH REMARKABLE PEOPLE".

      The main motivation for the creation of the group was the great success of these films with praising reviews on television, in festivals, cinemas, schools, universities, conferences, clubs, and prisons, and the discussions that followed with the audience after the screenings. The screenings of these films - which continue in Greece and abroad - provoke strong public participation, resulting in direct, concise, and thorough information on sensitive social issues (such as homelessness, unemployment, volunteerism, reclaiming public space, stray animals, neglected areas of the capital, education in juvenile detention centres, the reintegration of released prisoners, immigration, refugees, etc.) resulting in immediate activation of the audience.

      The intense and immediate social impact of these films made the members of the group design ways in which a film or an artistic action with a key social issue can act as a "lever" and "weapon" throughout its preparation and distribution, with the ultimate goal of mobilizing wider actions and debates and launching possible solutions for the purpose of art-cinema-community interaction and exchange.

      The members of Døcumatism identify the themes on which the group's films and artistic actions will be based, creating broader collaborations with filmmakers, artists, musicians, social workers, scientists, and educators, starting from Athens, its visible and invisible problems, its new heroes (anti-heroes whose lives are success stories) and its hidden and unlimited dynamics.

      The teams of these actions are:
      1. the scientific/consultative/research team that selects and designs the themes.
      2. the art team which undertakes the production of the films and other artistic actions.
      3. the journalism team that prepares the ways in which the actions will have a scaled social interaction and penetration to targeted and wider populations and social groups.
      4. the educational team that uses the process of preparing Døcumatism actions to ensure the creative participation of young artists, filmmakers, students, and pupils.
      5. the productive & economical team that organizes the financing and realization of the films and actions.

      The teams work closely together throughout the preparation and production of the actions in order to prepare a fertile ground for their access to targeted audiences at the time of completion and distribution of the films and actions. This is achieved through parallel events, publicity in print and online press, a strong presence in social media, and collaboration with groups that are active on specific issues.
      Døcumatism has already started its next activities, an intervention in key social issues, through diverse and innovative cultural actions, using art, cinema, and new technologies, together with educational, artistic, and research programmes that initiate the development of a public dialogue between the audience, the creators, the protagonists, and the works themselves.

      Listed below are the partners with whom the Døcumatism team was officially established, who contribute with personal work combining their scientific, artistic, and technical knowledge.

       

      Listed below are the partners by whom the Døcumatism team was officially established, who contribute with personal work combining their scientific, artistic, and technical knowledge.

      Menelaos Karamaghiolis, artist, director and screenwriter. All his films aim at social awareness and are used as "weapons" by their protagonists: from ROM, documentary, 1989 (first depiction of the term Roma in Greece in a documentary film), J.A.C.E.- Just Another Confused Elephant, co-produced fiction, 2012 (the life of an orphaned immigrant) to the interactive documentaries MEETING WITH REMARKABLE PEOPLE (2011-2020) with struggling and "doomed" heroes with no prospect.

      Grace Chimela Eze Nwoke, a Greek social scientist and performer of Nigerian descent.  She completed her postgraduate studies at the Department of Social Anthropology of Panteion University and is continuing her research about the African Diaspora in Athens, contributing to the conversation of its visibility in Greece. She is a member of the Døcumatism team and has undertaken the research, organization and artistic supervision of the collective community project the AfroGreeks, with the filmmaker Menelaos Karamaghiolis. She has experience in organizing live events, public discussions, educational exchange programs, using creative artistic performances to delve deeper into matters regarding the inclusivity, visibility, and empowerment of African communities. Grace is the co-founder of the team Bantu Dancers and the African community engagement platform Afrosocially. A member of the Anasa Cultural Center, the African Cultural Community Vana Ba Africa and the theatrical group Vice Versa.

      Mazin Hussein, an Athenian with Sudanese-Greek heritage, is a User Experience Designer based in Switzerland who breathes life into tech, design, and photography. With a rich background in diverse projects and organizations such as MarineTraffic, Ericsson, Scania, and BuzzBrothers, Mazin has delved into the transformative power of design thinking on innovation. He has founded TEDxAUEB and is an active participant in numerous social organizations and grassroots initiative.

      Orestis Plakias, marketing manager, and content curator specialized in information and advertising distribution in social media with impressive results such as the active mobilization of viewers at NYXTES PREMIERAS, the multimedia empowerment of EN LEFKO with site-specific events that activated a large number of audiences in unexpected locations of the city and Content Product Manager for Vodafone TV's content delivery platform.

      Vassiliki Papagiannakopoulou, with a longstanding career in the Media industry as the editor-in-chief of Madame Figaro, is now a freelance journalist, copywriter and communications specialist with a focus in Media, Cultural Research, and Audiovisual Arts. She is in charge of curating cultural interventions through public dialogue and oversees communications for the group in order to develop networks of cooperation with other cultural and scientific institutions, etc.

      Renia Papathanasiou is an XR designer, researcher and lecturer. Her research concentrates in XR systems and interactive installations, especially in engaging XR technologies to increase social impact on key social issues via immersive ludic environments. Her individual and team works have been presented and published in several conferences, festivals and journals around the world. Since 2019 is a member of the Døcumatism team as an XR Production Director / Business Development & Innovation Manager, focusing mainly on documentary films and cinematic interactive installations. Currently she is a PhD Candidate at the School of Film of the Aristotle University of Thessaloniki, Greece, focusing on XR and EEG/BCI systems in Documentary films and Location Based Narratives.

      Katerina Pramatari, professor at the Athens University of Economics and Business, managed after an intensive 15-year effort to introduce students in a functional way to the depths of IT, to effectively support innovation and entrepreneurship by setting up Acein, a space that enables young people (who have no way to move on to further studies and education) to develop their ideas and present them to the market and by launching Unifund which supports Greek innovative teams by activating an international funding network in cooperation with international organisations such as Equifund.

      Petros Damianos, a mathematician, who two decades ago started volunteering to give lessons to prisoners in the Avlonas juvenile detention centre and today runs 3 well-organized schools inside the prison where teenagers (often going to school for the first time) and prisoners who take university entrance exams attend and manage to continue their lives integrated into society after release. Through cultural activities and synergies with university institutions, scientists, and artists who entered prison and opened the students' horizons, it made schooling attractive to prisoners and succeeded (through a recent bill) in establishing new schools throughout the country and staffing them effectively.

      Sylvia Kouvali of Rodeo Gallery in Istanbul, London, and Piraeus has created groups, exhibitions, and actions with international impact where art manages to interact with society, target racial restrictions and socially restrictive stereotypes, and create platforms of expression with marginalized people. Her collaboration on artworks and films of critical social interest and her strong international engagement enable the group to connect with successful examples from around the world and with internationally renowned artists.

      Yannis Papadopoulos, journalist (in publications such as TA NEA, KATHIMERINI) is mainly active in social issues and their consequences through deep, thorough and analytical research, which results in presentations and texts of exceptional accuracy and narrative competence that activate the direct participation of the reader through a subject matter that is unexpectedly revealing on difficult, inaccessible issues. He ventured into a multimedia presentation using - in addition to the text - photographs, video, and any medium that enables the reader/viewer to interactively follow themes and landscapes unfamiliar to them.

       

      Website Credits

      Creative Direction and design by YOOOP Studio
      Developed by Chrystos Tsamardas

       

  • CONTACT
    • 64 I. Drosopoulou str
      11 257 Athens, Greece
      t : +30 210 8846 101, +30 694 4524 042
      e : [email protected]